Music Theory, Analysis and Deconstruction: How They Might (just) Get along Together
نویسنده
چکیده
Résumé ries which reject the very notion of ‘structural listening’, along with those of thematic integration, tonal development, and ‘the work’ as an object of duly perceptive and keen-eared formal analysis. I also make reference to recent ideas in cognitive psychology as a counter to the textualist bias of ‘deconstructive’ music theory which risks losing touch with whatever is most distinctive and potentially transformative in our experience of music.
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